Rem Koolhaas and OMA are perhaps best known for the controversy and
spectacle of the CCTV Building in Beijing, the Seattle Public Library,
and the sci-fi designs
in the Middle East, but I think some of their most successful buildings
are the subtle subversions of the classic high rise. There’s a—I don’t
quite want to say “deftness”—to his high rise work, but there is a
definite sense of wit that’s often missing from contemporary
architecture projects at this scale. This embrace of ironic banality is
evident in the recently announced 23 East 22nd St. building in New York,
the 111 First Street tower in Jersey City, and the unbuilt Zac Danton
office building in Paris’ La Defense district.
Seattle public library, by Rem Koolhaas, photo by alexabboud |
OMA’s first building in NYC, 23 East 22nd St. (we really need to get this building a name) lampoons the skyscrapers of Manhattan and the building codes that require setbacks from the street as a building rises in height. 23E22 takes the setback one *ahem* step further, and actually steps back, looming over the adjacent low-rise buildings. But you can still sell it by saying the “asymmetrical from simultaneously provides views of Madison Square Park whilst maximizing light penetration to the neighbors below.” Well played, OMA. You’ve convinced people that an ironic game of peek-a-boo at the scale of one of the world’s largest city is really all about practicality.
Seattle public library, by Rem Koolhaas, photo by Frankphotos |
Seattle public library, by Rem Koolhaas, photo by moyix |
Seattle public library, by Rem Koolhaas, photo by Virtual Farm Boy |
Seattle public library, by Rem Koolhaas, photo by moyix |
Seattle public library, by Rem Koolhaas, photo by Virtual Farm Boy |
Seattle public library, by Rem Koolhaas, photo by Virtual Farm Boy |
Seattle public library, by Rem Koolhaas, photo by Frankphotos |
Seattle public library, by Rem Koolhaas, photo by Virtual Farm Boy |
more about architecture:
No comments:
Post a Comment